•2024.12: The Construction of a Cross-cultural Spatial Atmosphere in Sino-Italian Art Exchange Exhibitions - Taking the Exhibition‘The Shape of Time’as an Example, Contemporary Aesthetics “Atmospheric, Design and Everyday Aesthetics”，ISSN 1932-8478, EBSCO, Peer-and blind-reviewed.

•2024.11: La ricostruzione culturale oltre i confini: Un’analisi dell'evoluzione delle esposizioni d’arte cinesi all’estero nel XX secolo, Engramma 218“Per mari e per terre.Viaggi, spazi, immaginari”, ISSN 1826-901X, Peer-and blind-reviewed.

•2024.05: 博洛尼亚大学文化遗产学院艺术类课程的解读, 教育进展,14(5), ISSN Print 2160-729X, ISSN Online 2160-7303, RCCSE.

•2020.03: 剖析文艺复兴时期佛罗伦萨地区“最后的晚餐”背后的“故事”，中国民族博览, ISSN 1007-4198, CN 10-1220/G0，AMI.

•2023.10: La partecipazione della Cina alla Biennale di Venezia negli anni Ottanta. Fenomeni nascosti e cause dell’eterogeneità cinese nella storia dell'arte occidentale, Svelare l’invisibile. Tracce nascoste di storie, opere e contesti，Padova University Press, ISSN 978-88-6938-365-6, Peer-and blind-reviewed.

2•2025.03：Reconstructing “Rules” in Biennales: The Dissemination and Aesthetic Presentation of Chinese Art in Site-Specific Biennale Systems, 3rd International Forum CHINESE CONTEMPORARY ART AND THE WORLD, 北京大学.

•2024.10: Mapping China’s Cultural Identity: Spatial Dynamics in the Venice Biennale, Actual Problems of Theory and History of Art Forum, University of Saint Peterburg. •2024.07: Exploring Multicultural Narratives in the Global Art Landscape: Three “Chinese Characters” Artworks at the Venice Biennale, The 12th European Conference on Arts & Humanities，London.

•2024.03: The Multifaceted Dimensions of Cultural Identity: An Examination of China’s Spatial Representation at the Venice Biennial, 2nd International Forum Chinese Contemporary Art and the World “The Multipolar (Art) World Order”, 北京大学.

•2023.09: Multicultural Representation from a Global Art Perspective: The Case of Three “Chinese Characters” Works in the Venice Biennale, International Doctoral Student Forum of Art Studies “Between and Beyongd”, 北京大学.

•2022.10: Il Punto International Art Movement negli anni ’60. La combinazione di elementi cinesi localizzati ed arte astratta sfida i confini dell’arte, Convegno dottorale “Il confine: divergenze, relazioni, sconfinamenti e ibridazioni”, Università di Calabria.

•2022.10: Chinese Contemporary Art at the Venice Biennale in 1993. Utopian Ideals and the Construction and Integration of Heterogeneous Spaces, Actual Problems of Theory and History of Art Forum, University of Saint Peterburg. •2021.10: 《跨媒介的艺术语言在异托邦空间中的应用: 展览 “中国走向城市化” 的解读》, 第六届全国艺术学青年学者论坛, 南京艺术学院.

•2020 - 2024：国家留学基金委员会国家建设高水平大学公派博士研究生项目

•2015 - 2016：欧盟 Erasmus Programme 奖学金 (德国慕尼黑)

• Eterotopia Urbana，意大利美术学院群展

•《空想家园》, 中国美术学院世纪之星

•《家居景观》，中国美术学院林风眠创作铜奖